Page:English Caricaturists and Graphic Humourists of the nineteenth century.djvu/67

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BERLIN DECREE.
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the bitter animosity with which he was regarded in this country. Base Policy of Bonaparte.The English were molested everywhere; they were made prisoners at Verdun and in Holland; their property was confiscated in Portugal; Russia was cajoled, Prussia forced into a league against them, and Sweden menaced, because she persisted in maintaining her alliance with this country. The "Berlin Decree" was an infamous document, worthy rather the policy of a bandit chief than of a fair and honourable antagonist. It proclaimed war not against individuals, but against private property, and specially appealed to the cupidity of those to whom it was addressed. This base policy towards English subjects recoiled inevitably against its perpetrator; and its effects were soon felt in the fields of the Peninsula, the banishment to Elba, and above all, in the final consignment to the rock of St. Helena. We, on our part, ignored Bonaparte's right to the title of emperor. With us, he was invariably "General Bonaparte," and nothing more; and in the graphic lampoons of Gillray, Rowlandson, and Cruikshank, he was exhibited under the most ludicrous circumstances in connection with the divorce, the defeats of Russia and the Peninsula, and even the paternity of his son the young king of Rome. These caricatures were brought to his notice by his spies and emissaries in England; they rendered him furious; and one of them—Gillray's admirable and, as it subsequently proved, prophetic satire of The Handwriting on the Wall—is said to have given him not only offence, but even serious uneasiness.

The tone of the English caricaturists may be gathered from one of the best of Woodward's satires, published in 1807. It is entitled A Political Fair, in which the various shows are labelled Russian, Danish, Swedish, Westphalian, Austrian, Dutch, Spanish, and even American. The best show in the fair is kept of course by John Bull & Co., whilst Bonaparte is the proprietor of a humble stall, whereat gingerbread kings and queens are sold wholesale and retail by his Imperial Majesty.[1] The same artist, in another but distinctly


  1. See also Gillray's previous satire of the 23rd of January, 1806 (which pro-