culture. Greek grammar, even, awaited the typographer until 1476, and Greek literature for some years longer. No originality was infused into the business of publishing until the advent of Aldus, almost as much the father of modern bookselling as Gutenberg is the father of printing.
Leaving the question of what the Renaissance printers and publishers of Italy might have done, we proceed to illustrate what they did by a brief analysis of the character of their productions during the first few years of their activity, especially in Rome and Venice. The survey is necessarily very imperfect, for a large proportion of their productions are not dated, and the exact year is usually a matter of conjecture. We must confine ourselves to the list of dated books given by Panzer, which might admit of considerable extension. It is not likely, however, that this would materially affect the mutual proportion of the various classes of literature, the point with which we are principally concerned.
Printing was established at Rome in 1467 by the removal of Sweynheym and Pannartz from Subiaco. Five books are recorded to have been printed there in that year; two classics (Cicero's "De Oratore" and "Epistolae ad Familiares"), two editions of the fathers, and one grammatical work. In 1468 six more make their appearance, one classical, three patristic, one theological, and one medical. In 1469 commences the great run upon classical writers, which continued for some years. Of the twelve books enumerated by Panzer as produced
