sense in designating the age of a feminine creature by the changing modes instead of by the changing of moons.
The connection of similarity may even consist of a single slight modification. This technique again runs parallel with a word-technique. Both kinds of witticisms create almost the identical impression, but they are more easily distinguishable by the processes of the wit-work.
The following is an example of such a word-witticism or pun. The great singer, Mary Wilt, who was famous not merely on account of the magnitude of her voice, suffered the mortification of having a title of a play, dramatized from the well-known novel of Jules Verne, serve as an allusion to her corpulency. “The trip around the Wilt (world) in eighty days.”
Or: “Every fathom a queen,” which is a modification of the familiar Shakespearian quotation, “Every inch a king,” and served as an allusion to a prominent woman who was unusually big physically. There would really be no serious objection if one should prefer to classify this witticism as a substitution for condensation with modification (cf. tête-à-bête, p. 25).
Discussing the hardships of the medical profession,
