harmless witticisms that operate through play on words and sound similarity, and just as harmless ones which make use of all means of thought-wit. Nor is it less easy to prove that tendency-wit as far as technique is concerned may be merely the wit of words. Thus, for example, witticisms that “play” with proper names often show an insulting and offending tendency, and yet they, too, belong to word-wit. Again, the most harmless of all jests are word-witticisms. Examples of this nature are the popular “shake-up” rhymes (Schüttelreime) in which the technique is represented through the manifold application of the same material with a very peculiar modification:
“Having been forsaken by Dame Luck, he degenerated into a Lame Duck.”
Let us hope that no one will deny that the pleasure experienced in this kind of otherwise unpretentious rhyming is of the same nature as the one by which we recognize wit.
Good examples of abstract or harmless thought-witticisms abound in Lichtenberg’s comparisons with which we have already become acquainted. I add a few more. “They sent a small Octavo to the University of Göttingen; and received back in body and soul a quarto” (a fourth-form boy).
“In order to erect this building well, one must
