logical or practical inference which transcends its true content, only to contradict this inference as soon as we finally grasp the nature of the expression itself. The psychological process evoked in us by the witty expression which gives rise to the sense of the comic depends in every case on the immediate transition from the borrowed feeling of truth and conviction to the impression or consciousness of relative nullity.”
As impressive as this exposition sounds one cannot refrain from questioning whether the contrast between the senseful and senseless upon which the comic depends does not also contribute to the definition of wit in so far as it is distinguished from the comic. Also the factor of “confusion and clearness” leads one deeply into the problem of the relation of wit to the comic. Kant, speaking of the comic element in general, states that one of its remarkable attributes is the fact that it can delude us for a moment only. Heymans (Zeitschr. f. Psychologie, XI, 1896) explains how the mechanism of wit is produced through the succession of confusion and clearness. He illustrates his meaning by an excellent witticism from Heine, who causes one of his figures, the poor lottery agent, Hirsch-Hyacinth, to boast that the great Baron Rothschild treated him as an equal or quite FAMILLIONAIRE. Here the word which acts as the carrier of the
