of comic pleasure (p. 150), every artifice which does not bring to light barefaced comic may in looser analogy be called a witticism. This is especially true in the case of unmasking, though in other methods of comic-making the appellation also holds good.[1]
In the mechanism of “unmasking” one can also utilize those processes of comic-making already known to us which degrade the dignity of individuals in that they call attention to one of the common human frailties, but particularly to the dependence of his mental functions upon physical needs. Unmasking them becomes equivalent to the reminder: This or that one who is admired like a demigod is only a human being like you and me after all. Moreover, all efforts in this mechanism serve to lay bare the monotonous psychic automatism which is behind wealth and apparent freedom of psychic achievements. We have become acquainted with examples of such “unmasking” through the witticisms dealing with marriage agents, and at that time to be sure we felt doubt whether we could rightly count these stories as wit. Now we can decide with more certainty that the anecdote of the echo who reinforces all assertions of the marriage agent
- ↑ “Thus every conscious and clever evocation of the comic is called wit, be it the comic of views or situations. Naturally we cannot use this view of wit here.” Lipps, l. c., p. 78.
