at first an excellent example of a comic degrading comparison, but on closer reflection we must ascribe to it also the attribute of wittiness, since the comparison as a means of allusion strikes into the realm of the obscene and causes a release of pleasure from the obscene. Through a union not altogether incidental the same material also gives us a resultant pleasure which is at the same time comical and witty; it does not matter whether or not the conditions of the one promote the origin of the other, such a union acts confusingly on the “feeling” whose function it is to announce to us whether we have before us wit or the comic, and only a careful examination independent of the disposition of pleasure can decide the question.
As tempting as it would be to trace these more intimate determinations of comic pleasure, the author must remember that neither his previous education nor his daily vocation justifies him in extending his investigations beyond the spheres of wit, and he must confess that it is precisely the subject of comic comparison which makes him feel his incompetence.
We are quite willing to be reminded that many authors do not recognize the clear notional and objective distinction between wit and comic, as we were impelled to do, and that they
