sweet of you to give it to me. But, what I was trying to say was that this picture is so—so striking that I feel that we ought to wait a little while and decide where it would have the best effect. The light over the piano is rather strong."
"You thing it ought to hang in a dimmish light, what?"
"Yes, yes. The dimmer the I mean, yes, in a dim light. Suppose we leave it in the corner for the moment—over there—behind the sofa, and—and I'll think it over. It wants a lot of thought, you know."
"Right-o! Here?"
"Yes, that will do splendidly. Oh, and, Archie."
"Hullo?"
"I think perhaps … Just turn its face to the wall, will you?" Lucille gave a little gulp. "It will prevent it getting dusty."
It perplexed Archie a little during the next few days to notice in Lucille, whom he had always looked on as preëminently a girl who knew her own mind, a curious streak of vacillation. Quite half a dozen times he suggested various spots on the wall as suitable for the Venus, but Lucille seemed unable to decide. Archie wished that she would settle on something definite, for he wanted to invite J. B. Wheeler to the suite to see the thing. He had heard nothing from the artist since the day he had removed the picture, and one morning, encountering him on Broadway, he expressed his appreciation of the very decent manner in which the other had taken the whole affair.
"Oh, that!" said J. B. Wheeler. "My dear fellow, you're welcome." He paused for a moment "More than
