Page:Life of William Blake, Gilchrist.djvu/63

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ÆT. 21—25.]
STUDENT AND LOVER.
33

Magazine, or collection of approved novels; for his Ladies' Magazine, and perhaps other serials; J. Johnson, a constant employer during a long series of years, for various books; and occasionally other booksellers,—Macklin, Buckland, and (later) Dodsley, Stockdale, the Cadells. Among the first in date of such prints, was a well-engraved frontispiece after Stothard, bold and telling in light and shade ('The Four Quarters of the Globe'), to a System of Geography (1779): and another after Stothard ('Clarence's Dream') to Enfield's Speaker, published by Johnson in 1780. Then came with sundry miscellaneous, eight plates after some of Stothard's earliest and most beautiful designs, for the Novelists' Magazine. The designs brought in young Stothard, hitherto an apprentice to a Pattern-draftsman in Spitalfields, a guinea a-piece,—and established his reputation: their intrinsic grace, feeling, and freshness being (for one thing) advantageously set off by very excellent engraving, of an infinitely more robust and honest kind than the smooth style of Heath and his School which succeeded to it and eventually brought about the ruin of line-engraving for book illustrations. Of Blake's eight engravings, all thorough and sterling pieces of workmanship, two were illustrations of Don Quixote, one of the Sentimental Journey (1782), one of Miss Fielding's David Simple, another of Launcelot Greaves, three of Grandison (1782-3).

One Trotter, a fellow-engraver who received instructions from Blake, engraved a print or two after Stothard, and was also draftsman to the calico-printers, had introduced Blake to Stothard, the former's senior by nearly two years, then lodging in company with Shelly, the miniature painter, in the Strand. Stothard introduced Blake to Flaxman, who after seeing some of the early graceful plates in the Novelists' Magazine, had of his own accord made their designer's acquaintance. Flaxman, of the same age and standing as Stothard, was as yet subsisting by his designs for the first Wedgwood, and also living in the Strand with his father who