Page:Mexico, California and Arizona - 1900.djvu/83

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THE PROJECTORS.
65

are brought to the capital from the floating gardens. The Paseo de la Reforma is a wide, straight boulevard, nearly two miles long, starting from a certain equestrian statue of Charles IV. of Spain—the first bronze cast in this hemisphere, and fine and excellent work. It is two hundred feet wide, and has a double row of trees—eucalyptus and ash—shading its sidewalks. The Mexican equestrian dandy should be observed as he curvets his horse along it among the fine carriages. He wears now not only his weighty spurs and silver-braided sombrero, but a cutlass at his saddle-bow, and larger revolvers than ever. Not that there is need of them, since a couple of mounted carbineers—of whom there seems no great need either are—stationed at nearly every hundred yards; but they are a part of his peculiar display. Some of our young Americans, too, in the country, it must be said almost out–Mexican the Mexicans themselves, carrying all their customs to an exaggerated extreme.

There are to be six circles, with statues, spaced at proper intervals along the way. The first, containing a fine Columbus, is finished; a Guatemozin, for the second, is in progress. The next, it is said, will contain Cortez. There at last will stand, face to face—their countrymen now—one people the heroic defender and the heroic conqueror, the two characters of such contradictory traits within themselves, who both acted according to their lights in their day and generation, and but followed the path of inevitable destiny.

The causeways of La Veronica and La Romita —containing ancient small arched aqueducts, which bring water to the city— branch off from Chapultepec, and form two sides of an obtuse triangle, which the Paseo (or Calzada) de la Reforma bisects. It was along these causeways that the Americans ran, in that invasion of a very different