poetry, like the liymn to Aphrodite, rather than as a "mystic chain of verse" meant solely for hieratic purposes. It is impossible to argue with safety that the Eleusinian mysteries and legend were later than Homer, because Homer does not allude to them. He has no occasion to speak of them. Possibly the mysteries were, in his time, but the rites of a village or little town; they attained celebrity owing to their adoption by Athens, and they ended by becoming the most famous national festival. The meaning of the legend, in its origin, was probably no more than a propitiation of earth, and a ceremony that imitated, and so secured, the return of spring and vegetation. This early conception, which we have found in America, was easily combined with doctrines of the death and revival, not of the year, not of the seed sown, but of the human soul. These ideas were capable of endless illustration and amplification by priests; and the mysteries, by Plato's time, and even by Pindar's, were certainly understood to have a purifying influence on conduct and a favourable effect on the fortunes of the soul in the next world.
"Happy whosoever of mortal men has looked on these things; but whoso hath had no part nor lot in this sacrament hath no equal fate when once he hath perished and passed within the pall of darkness."[1] Of such rites we may believe that Plato was thinking when he spoke of "beholding apparitions innocent and simple, and calm and happy, as in a mystery."[2] Nor is it strange that, when Greeks were seeking for a
