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NOLLEKENS'S CONTEMPORARIES.
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"I give you the end of a golden string; |
In his choice of subjects, and in his designs in Art, perhaps no man had higher claim to originality, nor ever drew with a closer adherence to his own conception; and from what I knew of him, and have heard related by his friends, I most firmly believe few artists have been guilty of less plagiarisms than he. It is true, I have seen him admire and heard him expatiate upon the beauties of Marc Antonio and of Albert Durer; but I verily believe not with any view of borrowing an idea; neither do I consider him at any time dependent in his mode of working, which was generally with the graver only; and as to printing, he mostly took off his own impressions.
After his marriage, which took place at Battersea, and which proved a mutually happy one, he instructed his beloved, for so he most frequently called his Kate,[1] and allowed her, till
- ↑ A friend has favoured me with the following anecdotes, which he received from Blake, respecting his courtship. He states that "Our Artist fell in love with a lively little girl, who allowed him to say every thing that was loving, but would not listen to his overtures on the score of matrimony.
