Page:Passages from the Life of a Philosopher.djvu/185

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THE WOVEN PORTRAIT.
169

morning I received another note from the Duke, informing me that Prince Albert had expressed his intention to accompany Count Mensdorf in the proposed visit, and that it would be more convenient if the hour were changed to one instead of two o'clock.

I must freely admit that I did not greatly rejoice at this addition to the party. I resolved, however, strictly to perform the duties thus thrown upon me as a host, as well as all those to which Prince Albert was entitled by his elevated position.

Before I took the Prince into the fire-proof building in which the Difference Engine was then deposited, I asked his Royal Highness to allow me to show him a portrait of Jacquard, which was at that time hanging up in my drawing-room, as it would greatly assist in explaining the nature of Calculating Machines.

When we had arrived in front of the portrait, I pointed it out as the object to which I solicited the Prince's attention. "Oh! that engraving?" remarked the Duke of Wellington. "No!" said Prince Albert to the Duke; "it is not an engraving." I felt for a moment very great surprise; but this was changed into a much more agreeable feeling, when the Prince instantly added, "I have seen it before." I felt at once that the Prince was a "good man and true," and I resolved that I would not confine myself to the rigid rules of etiquette, but that I would help him with all my heart in whatever line his inquiries might be directed.

The portrait of Jacquard was, in fact, a sheet of woven silk, framed and glazed, but looking so perfectly like an engraving, that it had been mistaken for such by two members of the Royal Academy.

A short time after I became possessed of this beautiful work of art, I met Wilkie, and invited him to come and see