a marvellous adventure. Somewhat fatigued with the opera, I went behind the scenes to look at the mechanism. One of the scene-shifters of whom I had made an inquiry, found out that I, like himself, was a workman. He immediately offered to take me all over the theatre, and show me every part.
We ascended to the roof to examine the ventilation, by which, if stopped, the spectators, in case of accident or of a row, might be suffocated. Also, the vast water-tanks by which, in case of fire, they might be drowned. After long rambling and descending endless steps, I found myself in a vast dark and apparently boundless area; the flat wooden roof high above my head was supported by upright timbers, some having intermediate stages like large dissecting-tables. Here and there three lamps, rivalling rushlights, made the obscurity more visible, and the carpentry more incomprehensible.
Suddenly a little bell rang—the signal for my scene-shifting friend to take his post. He pointed to one of the dismal imitations of a rushlight, and said: "You see that light; on its left is a door, go through that, and straight on until you arrive at daylight." Instantly my friend became invisible in the surrounding gloom.
My first step when thus suddenly abandoned, was to mount on a large oblong platform about six feet above the floor. Here I was philosophically contemplating the surrounding obscure vacuity, in order that I might fully "comprehend the situation."
Suddenly a flash of lightning occurred. On looking up, high above my head I saw an opening as large as the platform on which I stood. All there was brightness. Whilst I was admiring this new light, and seeking my way to the upper and outer world, two devils with long forked tails jumped upon the platform, one at each end.
