conceivable. The actual construction is an elaborate framework of wire or cane, over which the gores of material are laid and fall in innumerable folds, making a voluminous and unwieldy garment which oscillates with every movement of the wearer. Felt slippers of some gaudy colour peep from underneath this weird contrivance, but the crowning achievement is the elaboration of the hair. The natural inclination with respect to this feature is to part it at the front and bind it at the back, but the national method of the Nepali women is nothing if not original, and is accordingly the exact reverse of the expected. It is parted at the back above the nape of the neck and dressed in the front, forming over the forehead the regulation "donkey fringe" associated with the late Victorian period in the East End. Over the top, between the parting and the fringe, is carried a wreath of red artificial flowers, like a tiara. Add to this a heavily powdered face, eyes outlined with black, and lips touched with vermilion, a pair of tortoiseshell-rimmed goggles, and the picture is complete. Parties of these women pass at irregular
