Page:Popular Science Monthly Volume 16.djvu/817

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THE PLEASURE OF VISUAL FORM.
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longed in space, or carried beyond the limits of ordinary and easy muscular contraction. The movements of the eye will. be found to illustrate this law, though, owing to the small caliber of the ocular muscles, both the enjoyment and the fatigue attending them are apt to seem insignificant quantities. The pleasures of ocular movement are thus confined within definite limits, namely, a certain duration of a certain velocity of movement over the central part of the field of vision. Further, movements involving a higher degree of muscular expenditure grow fatiguing sooner than others, as we may see in the case of following the outline of very near objects with convergent axes. Finally, certain combinations of muscular action give rise to fatigue sooner than others, e. g., those necessary to oblique movement sooner than those involved in vertical or horizontal. The reason of this may be not so much the larger number of muscular factors as the relative infrequency of the combination. We have in a general way much more need to execute vertical and horizontal movements than oblique ones, height and lateral distance being the two most important dimensions; and this would tend to make the former easier and less rapidly fatiguing. For a like reason, the superior ease of horizontal movements may be referred in part to the greater need in general of attending to lateral relations of distance than to vertical ones.

Within these limits of pleasurable ocular movement we may find a difference in the quality of the enjoyment, according as the movement is energetic (though not excessively so) or comparatively restful. In the first case the feeling is of a more active and stimulating quality, and approaches in character the sense of power which we experience when we employ the larger muscles of the body. In the second case the feeling is more passive and allied to sensation proper. It may be thrown out as a conjecture that the former mode of pleasurable feeling is connected with the excitation of the motor fibers, whereas the latter consists mainly of the tactual and other sensations already referred to. We may, perhaps, conceive that, when the motor innervation reaches a certain degree of intensity, its mental correlative becomes the predominant feeling; but that, when it falls below this point, the passive sensations come to the surface of consciousness, so to speak, and give the dominant character to the feeling. On the whole, the gentler forms of ocular movement yield richer enjoyment than the more energetic. The muscles of the eye hardly seem to be of a sufficient caliber to supply the full consciousness of active force, which is a concomitant of the energetic action of the larger muscles of the body. Hence it may be said that the quieter forms of motor enjoyment are preferred by the eye.

This difference in the quality of the agreeable feelings of ocular movement is best seen in comparing slow and rapid movements, as in following the progress of a rocket in its early and later stages. As Professor Bain remarks, rapid visible movements are stimulating, while