this page illustrations of typical bits of Italian pottery. The first vase, prior to the full Etruscan culture, shows its crudity at once, both in its defects of form and the plainness and simplicity
| Early Etruscan. | Pure Etruscan. Middle Period. |
of its ornamentation. Such a vessel might have been made in Mexico or even by our own Pueblo Indians. In a century or two some teacher made it possible to produce the sample depicted in the next cut. Perfect in form, superb in grace of outline, its decoration is most effective; yet it betrays greater skill in geometrical 
Greek Etruscan. design than in the representation of animate life. The dog drawn on the girdle is still far from lifelike. Then come—probably after inspiration from Greek art—the possibilities in complex ornamentation represented by our third specimen. Not more pleasing in form; perhaps less truly artistic because of its ornateness, it manifests much skill in the delineation of human and animal forms. The culture culminates at this point. From profusion of ornament and overloaded decoration degeneracy begins. It is the old story of the life and decay of schools of art, time in and time out, the world over.
The advance in culture typified by our vases was equaled in all the details of life.[1] The people built strongly walled cities; they constructed roads and bridges; their architecture, true predecessor of the Roman, was unique and highly evolved. All the plain and good things of life were known to these people, and their civilization was rich in its luxury, its culture and art as
- ↑ A good recent résumé of Etruscan culture is given by Lefevre in Revue Mensuelle de l'École d'Anthropologie, i, pp. 112 seq. and 268 seq., and also in Revue Linguistique.
