ous way. Within us or nowhere lies eternity with its worlds; within us or nowhere are the past and the future." Viewed separately from other elements of romanticism, this passion for retreating within the central ego is commonly referred to as mysticism; it has a strong hold on many among the moderns, and Maurice Maeterlinck to be properly understood has to be understood as the poet par excellence of modern mysticism. By virtue of this special office he deals mainly in concepts of the transcendental, which puzzles the ordinary person accustomed to perceive only material and ephemeral realities. Maeterlinck holds that nothing matters that is not eternal and that what keeps us from enjoying the treasures of the universe is the hereditary resignation with which we tarry in the gloomy prison of our senses. "In reality, we live only from soul to soul, and we are gods who do not know each other."[1] It follows from this metaphysical foundation of his art that instead of the grosser terminology suitable to plain realities, Maeterlinck must depend upon a code of subtle messages in order to establish between himself and his audience a line of spiritual communication. This makes it somewhat difficult for people of
- ↑ Maeterlinck, "On Emerson."
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