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the tumults of the winds, the tones of the animal world, and so on; and, finally, those which represent a combination of the sounds of perception and of affective reaction.⁶ Likewise in the more or less modern languages, large quantities of onomatopoetic relics are retained; for example, sounds for the movement of water,—

Rauschen, risseln, rûschen, rinnen, rennen, to rush, ruscello, ruisseau, river, Rhein.
Wasser, wissen, wissern, pissen, piscis, fisch.

Thus language is orginally and essentially nothing but a system of signs or symbols, which denote real occurrences, or their echo in the human soul.

Therefore one must decidedly agree with Anatole France,⁷ when he says,

"What is thought, and how do we think? We think with words; that alone is sensual and brings us back to nature. Think of it! The metaphysician has only the perfected cry of monkeys and dogs with which to construct the system of the world. That which he calls profound speculation and transcendent method is to put end to end in an arbitrary order the natural sounds which cry out hunger, fear, and love in the primitive forests, and to which were attached little by little the meanings which one believed to be abstract, when they were only crude. "Do not fear that the succession of small cries, feeble and stifled, which compose a book of philosophy, will teach us so much regarding the universe, that we can live in it no longer."

Thus is our directed thinking, and even if we were the loneliest and furthest removed from our fellows, this thinking is nothing but the first notes of a long-drawnout call to our companions that water had been found,