accomplishing the manual tasks imposed upon me, especially that of sewing on my buttons—how every few seconds the needle would slip through my fingers, till the thread was tangled up in a veritable spider's web, while the button hung as loose as ever, to the derision of my companions and the disgust of the drill-sergeant, whose contemptuous—"You may be a great hand at rhyming, but when it comes to sewing on buttons you're a hundred years behind the times," seemed to exile me to the depths of the eighteenth century.
I see the great refectory, where a battalion might have drilled; I see the long tables, the five hundred heads bent above the plates, the rapid motion of five hundred forks, of a thousand hands and sixteen thousand teeth; the swarm of servants running here and there, called to, scolded, hurried, on every side at once; I hear the clatter of dishes, the deafening noise, the voices choked with food crying out: "Bread—bread!" and I feel once more the formidable appetite, the herculean strength of jaw, the exuberant life and spirits of those far-off days.
The scene changes, and I see myself locked in a narrow cell on the fifth floor, a jug of water at my side, a piece of black bread in my hand, with unkempt hair and unshorn chin, and the image of Silvio Pellico before me; condemned to ten days' imprisonment for having made an address
