Page:The American Indian.djvu/322

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264
THE AMERICAN INDIAN

position to waterfalls and water courses. Likewise, the known pottery of the whole insular area is similar.

Of special archæological features, Porto Rico offers a fine series in her mysterious stone collars, numerous three-pointed stone figures, elbow stones, and carved celts. Thus, in the main, we are justified in designating the Antilles as a distinct archæological area, belonging rather to South America than to the northern continent.


SOUTH AMERICA

No one has attempted a close classification of South American archæology but certain suggestions have been made.[1] We have prepared a map upon which are located the areas indicated by our present knowledge. There are six of these: Colombia, Ecuador, Peru, Chile, Atlantic Highlands, and Patagonia. The interior of the tropical forest is a blank, for if it has any archæology, its discovery is for the future.

19. Colombia. In Colombia four culture centers have been recognized. In the north one centers about Antioquia, the home of the Tamahi and Nutabi peoples; the next to the south about Cartago (the Quimbaya); the third at Popayan (the Coconuco); and lastly, in the extreme south, the seat of the Chibcha empire. Though at the time of the conquest the latter was the center of the highest political development, the leading culture was formerly, at least, at Cartago.

No ruins of buildings comparable to those of the south have been noted. Even the mound development is feeble. However, there is one unique locality about San Augustine where remarkable monolithic statues have been found and also some mound structures. Metal work was praiseworthy, especially at Cartago. Skilful casting by the cire perdue method has been noted, and good examples of soldering, plating, and even gilding have been collected. Different colored alloys were produced with gold, silver, and copper.

Cartago was also the center of pottery development, but on the whole, Colombia pottery is inferior. Some painted decorations are in geometric patterns, but bold incised designs are more frequent. One striking feature is the tendency

  1. Holmes, 1914. I; Joyce, 1912. I.