Taoist patriarchs keeping sheep. By their magic power they turned the sheep into stones when they were tired watching them, and again the inscriptions told us, "the stones became sheep at his call." Still others represented them in search of the elixir of life, while in others they were riding on a snail.
The object of thus bringing in incidents from all these Buddhist, Taoist, Confucian, and other sources is that by catering to all classes the book may have wide distribution, and whatever the Confucianist may say, it must be admitted that the other religions have a strong hold upon the popular mind.
The last twenty-six illustrations in Vol. I represent various 
incidents in the life, history and employments of women.
The first of these is an ancient empress "weaving at night by her palace window."
Another represents a woman in her boat and we are told that, "leaving her oar she leisurely sang a song entitled, 'Plucking the Caltrops.'"
Another represents a woman "wearing a pomegranate-colored dress riding a pear-blossom colored horse." A peculiar combination to say the least.
The fisherman's wife is represented in her boat, "making her toilet at dawn using the water as a mirror." While we are assured also that the woman sitting upon her veranda
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