despicable jargon that my planet sat darkly in your house of life. Cross me not if you can avoid it. I warn you now for the first time and last."
"You despise the astrologers, yet you utter a jargon as mysterious as theirs. I neither gamble nor quarrel; why then should I fear you?"
"As you will; I have done."
"Let me speak frankly; your conversation last night interested and amused me."
"I know it; minds like yours are attracted by mystery." Glyndon was piqued at those words, though in the tone in which they were spoken there was no contempt.
"I see you do not consider me worthy of your friendship;—be it so. Good day." Zicci coldly replied to the salutation; and, as the Englishman rode on, returned to his botanical employment.
The same night, Glyndon went, as usual, to the theatre. He was standing behind the scenes watching Isabel, who was on the stage in one of her most brilliant parts. The house resounded with applause. Glyndon was transported with a young man's passion and a young man's pride:—"This glorious creature," thought he, "may yet be mine."
He felt, while thus rapt in delicious reverie, a slight touch upon his shoulder: he turned, and beheld Zicci. "You are in danger," said the latter. "Do not walk home to-night; or if you do, go not alone."
Before Glyndon recovered from his surprise, Zicci disappeared; and when the Englishman saw him again, he was in the box of one of the Neapolitan ministers, where Glyndon could not follow him.
Isabel now left the stage, and Glyndon accosted her with impassioned gallantry. The actress was surprisingly beautiful: of fair complexion, and golden hair, her countenance was relieved from the tame and gentle loveliness which the Italians suppose to be the characteristics of English beauty, by the contrast of dark eyes and lashes, by a forehead of great height, to which the dark outline of the eyebrows gave something of majesty and command. In spite of the slightness of virgin youth, her proportions had the nobleness, blent with the delicacy, that belongs to the masterpieces of ancient sculpture; and there was a conscious pride in her step, and in the swan-like bend of her stately head, as she turned with an evident impatience from the address of her lover. Taking aside an old woman, who was her constant and confidential attendant at the theatre, she said in an earnest whisper—
"Oh, Gionetta! he is here again! I have seen him again!—
