Page:The Craftsmanship of Writing.djvu/112

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THE AUTHOR'S PURPOSE

tually proposes to arrive. He must take the time and trouble to sit down and work out in detail just precisely what he is trying to do and what is the best way of doing it. It is not only in the department of the drama that a scenario is indispensable. Every piece of writing that aspires to be anything more than ephemeral is as much in need of a detailed ground plan as a Gothic cathedral or a modern office building. All beginners who cherish the dangerous fallacy that a masterpiece of prose or verse can be flung off in a white heat of inspiration would do well to commit to memory a large part of Poe's essay on The Philosophy of Composition, of which the following are perhaps the most weighty and apposite paragraphs:

Most writers,—poets in especial,—prefer to have it understood that they compose by a species of fine frenzy—an ecstatic intuition; and would

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