THE QUESTION OF STYLE
noticeable in the use of the word, style, in other connections, take it,—for instance, in the matter of dress. Now clearness of purpose in dress involves the intent of clothing the body and keeping it warm; and in this elemental sense one hears people speak of the style of clothes worn by peasants, or artisans, or savage tribes. A certain proportion of people, on the other hand, think of style in dress as a sort of self-advertisement, a matter of force and emphasis, a question of flamboyance and the dernier cri. And there are still others who, with a finer conservatism, understand style to be that rare art in dress which effects a perfect compromise between the prevailing fashion and the personality, and which unerringly chooses, in color and in form, the garment best designed to suit, most completely and at the same time most unobtrusively the individual need.
Now there is no logic in looking upon
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