of the princess, who cannot longer delay the bridal, he tells his story, and so marries her.
The peculiar form of the burial in this variant will be at once evident, though the reason for it is not clear to me. Disenchantment by decapitation is a common phenomenon in folk-lore and romance;[1] but though the blow on the head, which the hero gives the old man in our tale, surely stands for beheading, it is hard to see where any unspelling process comes in. It is perhaps best to suppose the trait a confused borrowing, without much meaning as it stands. The ransoming of the woman is closely connected with the benefits done the old man. That it occurs on the same journey has been shown by the variations in Jean de Calais to be a matter of little consequence. With respect to the standard and the ring, by which the hero restores his wife to her father, and later to himself, the tale is perfectly in accord with the prevalent form of the compound type; and so also in regard to the rescue of the hero by the ghost. No hint is given of any agreement of division between the hero and the ghost. The chief peculiarity of the variant, however, is the means by which the heroine is won. The feat recalls Simrock I.[2] even in details like the demand on the part of the bride for mural decoration. It again shows the combination of the present type with a theme akin to The Water of Life.
Simrock III. has several points of contact with the above. Karl, the son of an English merchant, on his first voyage to Italy pays the debts of a merchant who has died bankrupt. On his way home he buys two sisters from some pirates at an inn. His father casts him off, so he marries the older of the maidens, who tells him that she is a princess. They start for Italy
