I
LOVE
I'me la morte, in te la vita mia.[1]
After renouncing everything which kept him alive, a new life—like the spring which blossoms again—sprang up in Michael Angelo's devastated heart, and love burnt with a brighter flame. But it was a form of love in which there was hardly a trace of either egoism or sensuality. It consisted in the mystical adoration of the beauty of a Cavalieri, in the religious friendship of Vittoria Colonna—the passionate communion of two souls in God. It consisted, also, in paternal tenderness for his orphan nephews, in pity for the poor and the weak, and in holy charity.
Michael Angelo's love for Tommaso dei Cavalieri is calculated to disconcert the minds of many, whether honest or dishonest. Even in the Italy of the closing days of the Renaissance it gave rise to unpleasant interpretations, and Aretino made outrageous allusions to it.[2]
- ↑ "Poems," lix.
- ↑ Michael Angelo's great nephew, in the first edition of the Rime, in 1623, did not dare to publish the poems to Tommaso dei Cavalieri exactly. He left his readers to believe that they were addressed to a woman. Until the recent works of Scheffler and Symmonds, Cavalieri was regarded as an imaginary name, hiding the identity of Vittoria Colonna.
