Page:The Poetry of Architecture.djvu/158

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THE POETRY OF ARCHITECTURE.

jointed columns, in their address to the eye, shall awaken memories of Staffa, Pæstum, and Palmyra; and, in their address to the tongue, shall arouse exquisite associations of remembered flavour, Dutch, Stilton, and Strachino. Now, this fit of taste on the part of our tradesmen is only a coarse form of a disposition inherent in the human mind. Those objects to which the eye has been most frequently accustomed, and among which the intellect has formed its habits of action, and the soul its modes of emotion, become agreeable to the thoughts, from their correspondence with their prevailing cast, especially when the business of life has had any relation to those objects; for it is in the habitual and necessary occupation that the most painless hours of existence are passed: whatever be the nature of that occupation, the memories belonging to it will always be agreeable, and, therefore, the objects awakening such memories will invariably be found beautiful, whatever their character or form. It is thus that taste is the child and the slave of memory; and beauty is tested, not by any fixed standard, but by the chances of association; so that in every domestic building evidence will be found of the kind of life through which its owner has passed, in the operation of the habits of mind which that life has induced. From the superannuated coxswain, who plants his old ship's figure-head in his six square feet of front garden at Bermondsey, to the retired noble, the proud portal of whose mansion is surmounted by the broad shield and the crested gryphon, we are all guided, in our