Page:The Poetry of Architecture.djvu/178

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166
THE POETRY OF ARCHITECTURE.

minister to its immediate wishes. No habitation, therefore, in this country, should look old: it should give an impression of present prosperity, of swift motion and high energy of life; too rapid in its successive operation to attain greatness, or allow of decay, in its works. This is the first cause which, in this country, renders brick allowable.

Again, wherever the soil breaks out in simple blue country, whether in the river shore, or the broken roadside bank, or the ploughed field, in nine cases out of ten it is excessively warm in its colour, being either gravel or clay, the black vegetable soil never remaining free of vegetation. The warm tone of these beds of soil is an admirable relief to the blue of the distances, which we have taken as the distinctive feature of the country, tending to produce the perfect light without which no landscape can be complete. Therefore the red of the brick is prevented from glaring upon the eye, by its falling in with similar colours in the ground, and contrasting finely with the general tone of the distance. This is another instance of the material which nature most readily furnishes being the right one. In almost all blue country, we have only to turn out a few spadefuls of loose soil, and we come to the bed of clay, which is the best material for the building; whereas we should have to travel hundreds of miles, or to dig thousands of feet, to get the stone which nature does not want, and therefore has not given.

Another excellence in brick is its perfect air of English respectability. It is utterly impossible for an edifice alto-