ately, that it was a mercy she hadn't told Hyacinth she was pretty (as she used to be), for there was no beauty left in the hollow, bloodless mask that presented itself without a movement. She had told him that the poor woman was good, but she didn't look so, nor, evidently, was he struck with it as he stared back at her across the interval he declined to traverse, kept (at the same time) from retreating by her strange, fixed eyes, the only portion of all her wasted person in which there was still any appearance of life. She looked unnatural to Amanda Pynsent, and terribly old; a speechless, motionless creature, dazed and stupid, whereas Florentine Vivier, in the obliterated past, had been her idea of personal, as distinguished from social, brilliancy. Above all she seemed disfigured and ugly, cruelly misrepresented by her coarse cap and short, rough hair. Amanda, as she stood beside her, thought with a sort of scared elation that Hyacinth would never guess that a person in whom there was so little trace of smartness—or of cleverness of any kind—was his mother. At the very most it might occur to him, as Mrs. Bowerbank had suggested, that she was his grandmother. Mrs. Bowerbank seated herself on the further bed, with folded hands, like a monumental timekeeper, and remarked, in the manner of one speaking from a sense of duty, that the poor thing wouldn't get much good of the child unless he showed more confidence. This observation was evidently lost upon the boy; he was too intensely absorbed in watching the prisoner. A chair had been placed at the head of her bed, and Miss Pynsent sat down without her appearing to notice it. In a moment, however, she lifted her hand a little, pushing it out from under the coverlet, and the
