suitable companion; or if certain colours occasionally predominated in a part of the wall, the balance was restored by a greater quantity of others elsewhere, so that the due proportions of all were kept up, and the general effect was a perfect concord."
The earliest monuments show the use of a great variety of musical instruments—flutes, pipes, harps, guitars, lyres and tamburines—and they give representations of concerts in which human voices are combined with the sounds of several instruments.[1] My learned friend Dr. Dümichen, himself an admirable musician, in noticing the presence not only of a monkey, but of hounds, at a concert in the tomb of Ptahhotep, is very much tempted to doubt the musical taste of that great dignitary of the fifth dynasty, and to suppose that he preferred the accompaniments of his canine friends. There is, however, I believe, reason to suppose that the picture is intended to represent dogs from the spirit-land, whose ears are no doubt attuned to the harmony of sweet sounds.
The Egyptians were not, as used on very insufficient evidence to be supposed, a sad or morose people. Their religion at least does not appear to have been "designed to make their pleasures less." The description of their
- ↑ See Wilkinson, "Ancient Egyptians," Vol. I. p. 431; Carl Engel, "Music of the Most Ancient Nations," p. 180; and Lauth, "Ueber altägyptische Musik," in the Sitzungsberichte of the Munich Academy, 3rd July, 1869.
