They had two objects in coming to London at this time—one was to consult physicians concerning Burton's health, the other to make arrangements concerning The Arabian Nights. The production of this book may be described as a joint affair; for though the lion's share of the work of translating, writing, and correcting proofs devolved upon Burton alone, the financial part of the work fell upon his wife, and that it was a big thing no one who has had any experience of writing or publishing would deny. There were several editions in the field; but they were all abridged or "Bowdlerized" ones, adapted more or less for "family and domestic reading." Burton's object in bringing out this great work was not only to produce a literal translation, but to reproduce it faithfully in the Arabian manner. He preserved throughout the orientation of the verses and figures of speech instead of Anglicising them. It is this, combined with his profound oriental scholarship, his fine old-world style, and the richness, variety, and quaintness of his vocabulary, which has given to his original edition its unique value.
In Burton the immortal tales had at last found a translator who would do them justice, and who was not afraid of prejudices of Anglo-Saxon Puritanism. Burton's view of this matter is sufficiently expressed in the following speech: "I do not care a button about being prosecuted; and if the matter comes to a fight, I will walk into court with my Bible and my Shakspeare and my Rabelais under my arm, and prove to them that before they condemn me they must cut half of them
