candle in his bedroom. There was no sound from the other rooms. So I undressed him, and got him in bed at last, somehow. I covered him up and put over him the calf-skin rug, because the night was cold. Almost immediately he began to breathe heavily. I dragged him over to his side, and pillowed his head comfortably. He looked like a tired boy, asleep.
I stood still, now I felt myself alone, and looked round. Up to the low roof rose the carven pillars of dark mahogany; there was a chair by the bed, and a little yellow chest of drawers by the windows, that was all the furniture, save the calf-skin rug on the floor. In the drawers I noticed a book. It was a copy of Omar Khayyam, that Lettie had given him in her Khayyam days, a little shilling book with coloured illustrations.
I blew out the candle, when I had looked at him again. As I crept on to the landing, Emily peeped from her room, whispering, “Is he in bed?”
I nodded, and whispered good-night. Then I went home, heavily.
After the evening at the farm, Lettie and Leslie drew closer together. They eddied unevenly down the little stream of courtship, jostling and drifting together and apart. He was unsatisfied and strove with every effort to bring her close to him, submissive. Gradually she yielded, and submitted to him. She folded round her and him the snug curtain of the present, and they sat like children playing a game behind the hangings of an old bed. She shut out all distant outlooks, as an Arab unfolds his tent and conquers the mystery and space of the des-
