There is a cry in answer to the peewits, echoing louder and stronger the lamentation of the lapwings, a wail which hushes the birds. The men come over the brow of the hill, slowly, with the old squire walking tall and straight in front; six bowed men bearing the coffin on their shoulders, treading heavily and cautiously, under the great weight of the glistening white coffin; six men following behind, ill at ease, waiting their turn for the burden. You can see the red handkerchiefs knotted round their throats, and their shirt-fronts blue and white between the open waistcoats. The coffin is of new unpolished wood, gleaming and glistening in the sunlight; the men who carry it remember all their lives after the smell of new, warm elm-wood.
Again a loud cry from the hill-top. The woman has followed thus far, the big, shapeless woman, and she cries with loud cries after the white coffin as it descends the hill, and the children that cling to her skirts weep aloud, and are not to be hushed by the other woman, who bends over them, but does not form one of the group. How the crying frightens the birds, and the rabbits; and the lambs away there run to their mothers. But the peewits are not frightened, they add their notes to the sorrow; they circle after the white, retreating coffin, they circle round the woman; it is they who forever “keen” the sorrows of this world. They are like priests in their robes, more black than white, more grief than hope, driving endlessly round and round, turning, lifting, falling and crying always in mournful desolation, repeating their last syllables like the broken accents of despair.
The bearers have at last sunk between the high
