Page:The Works of Lord Byron (ed. Coleridge, Prothero) - Volume 2.djvu/77

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
CANTO I.]
CHILDE HAROLD’S PILGRIMAGE.
43

And o'er him many changing scenes must roll
Ere toil his thirst for travel can assuage,[1]
Or he shall calm his breast, or learn experience sage.


XXIX.

Yet Mafra shall one moment claim delay,N5
Where dwelt of yore the Lusians' luckless queen;[2][3]
And Church and Court did mingle their array,

And Mass and revel were alternate seen;
  1. And countries more remote his hopes engage.—[MS. erased.]
  2. Where dwelt of yore the Lusians' crazy queen.—[MS.]
    Where dwelt of yore Lusania's.—[D.]
  3. [Her luckless Majesty went subsequently mad; and Dr. Willis, who so dexterously cudgelled kingly pericraniums, could make nothing of hers. (For the Rev. Francis Willis, see Poetical Works, 1898, i. 416.)

    Maria I. (b. 1734), who married her uncle, Pedro III., reigned with him 1777-86, and, as sole monarch, from 1786 to 1816. The death of her husband, of her favourite confessor, Ignatio de San Caetano, who had been raised by Pombal from the humblest rank to the position of archbishop in partibus, and of her son, turned her brain, and she became melancholy mad. She was only queen in name after 1791, and in 1799 her son, Maria José Luis, was appointed regent. Beckford saw her in 1787, and was impressed by her dignified bearing. "Justice and clemency," he writes, "the motto so glaringly misapplied on the banner of the abhorred Inquisition, might be transferred, with the strictest truth, to this good princess" (Italy, with Sketches of Spain and Portugal, 1834, p. 256). Ten years later, Southey, in his Letters from Spain, 1797, p. 541, ascribes the "gloom" of the court of Lisbon to "the dreadful malady of the queen." When the Portuguese royal family were about to embark for Brazil in November, 1807, the queen was once more seen in public after an interval of sixteen years. "She had to wait some while upon the quay for the chair in which she was to be carried to the boat, and her countenance, in which the insensibility of madness was only disturbed by wonder, formed a striking contrast to the grief which appeared in every other face" (Southey's History of the Peninsular War, i. 110).]