"Hope! … How tactless! … Hope for peace! What good has a general to expect from peace? Could not this civilian understand that a commander-in-chief is only a commander-in-chief in war-time, and that in peace-time he is nothing more than a professor with a collar of gold braid?"
The general is annoyed once more when the car pulls up because it is necessary to close the hood on account of the rain. But during the pause His Excellency hears the sound of distant firing. His eyes brighten.—Thank God, there was still war.
⁂
My quotations have been enough to show the emotional force and the trenchant irony of Latzko's book. It scorches. It is a torch of suffering and revolt. Both its merits and its defects are sib to this frenzy. The author is master of the writer's art, but he is not always master of his own feelings. His memories are still open wounds. He is possessed by his visions. His nerves vibrate like violin strings. Almost without exception, his analyses of emotion are tremulous monologues. His shattered spirit cannot find repose.
Doubtless he will be criticised for the preponderant place assumed in his book by physical pain. The work is full of it. Pain monopolises the reader's mind and wearies his eyes. Not until we have read Men in Battle do we fully appreciate Barbusse's chariness in the use of material effects. If Latzko is persistent in their employment, this is not merely because he is haunted by memories of pain. He wishes, deliberately wishes, to communicate these impressions to others, for he has suffered greatly from others' insensibility.
In very truth, such insensibility has been the saddest of all our experiences during this war. We knew man to be stupid, mediocre, selfish: we knew that on occasions man could be extremely cruel. But though we had few illusions, we had never believed that man could
