good connoisseur in engraving, has given her warm approbation, and to the plate of "The Portrait,"[1] though not yet in so high finished a state. I am sure (mark my confidence), with Flaxman's advice, which he gives with all the warmth of friendship both to you and me, it must be soon a highly finished and properly finished print; but yet I must solicit for a supply of money, and hope you will be convinced that the labour I have used on the two plates has left me without any resource but that of applying to you. I am again in want of ten pounds; hope that the size and neatness of my plate of "The Shipwreck" will plead for me the excuse for troubling you before it can be properly called finished, though Flaxman has already pronounced it so. I beg your remarks also on both my performances, as in their present state they will be capable of very much improvement from a few lucky or well-advised touches. I cannot omit observing that the price Mr. Johnson gives for the plates of Fuseli's Shakespeare[2] (the concluding numbers of which I now send) is twenty-five guineas each. On comparing them with mine of "The Shipwreck," you will perceive that I have done my duty, and put forth my whole strength.
Your beautiful and elegant daughter Venusea
