Page:The red and the black (1916).djvu/259

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THE PLEASURES OF THE COUNTRY
239

"He turned spider so as not to be fly, and a terrible spider into the bargain. But I see that he is beaten by that man Valenod. Do you know that scoundrel? He's the villain of the piece. What will your M. de Rênal say if he sees himself turned out one of these fine days, and Valenod put in his place?"

"He will be left to brood over his crimes," said Saint Giraud. "Do you know Verrières, young man? Well, Bonaparte, heaven confound him! Bonaparte and his monarchical tomfoolery rendered possible the reign of the Rênals and the Chélans, which brought about the reign of the Valenods and the Maslons."

This conversation, with its gloomy politics, astonished Julien and distracted him from his delicious reveries.

He appreciated but little the first sight of Paris as perceived in the distance. The castles in the air he had built about his future had to struggle with the still present memory of the twenty-four hours that he had just passed in Verrières. He vowed that he would never abandon his mistress's children, and that he would leave everything in order to protect them, if the impertinence of the priests brought about a republic and the persecution of the nobles.

What would have happened on the night of his arrival in Verrières if, at the moment when he had leant his ladder against the casement of Madame de Rênal's bedroom he had found that room occupied by a stranger or by M. de Rênal?

But how delicious, too, had been those first two hours when his sweetheart had been sincerely anxious to send him away and he had pleaded his cause, sitting down by her in the darkness! A soul like Julien's is haunted by such memories for a lifetime. The rest of the interview was already becoming merged in the first period of their love, fourteen months previous.

Julien was awakened from his deep meditation by the stopping of the coach. They had just entered the courtyard of the Post in the Rue Rousseau. "I want to go to La Malmaison," he said to a cabriolet which approached.

"At this time, Monsieur—what for?"

"What's that got to do with you? Get on."

Every real passion only thinks about itself. That is why, in my view, passions are ridiculous at Paris, where one's neigh-