Page:The varieties of religious experience, a study in human nature.djvu/454

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THE VARIETIES OF RELIGIOUS EXPERIENCE

argument from design, see how Darwinian ideas have revolutionized it. Conceived as we now conceive them, as so many fortunate escapes from almost limitless processes of destruction, the benevolent adaptations which we find in Nature suggest a deity very different from the one who figured in the earlier versions of the argument.[1]

  1. It must not be forgotten that any form of disorder in the world might, by the design argument, suggest a God for just that kind of disorder. The truth is that any state of things whatever that can be named is logically susceptible of teleological interpretation. The ruins of the earthquake at Lisbon, for example: the whole of past history had to be planned exactly as it was to bring about in the fullness of time just that particular arrangement of débris of masonry, furniture, and once living bodies. No other train of causes would have been sufficient. And so of any other arrangement, bad or good, which might as a matter of fact be found resulting anywhere from previous conditions. To avoid such pessimistic consequences and save its beneficent designer, the design argument accordingly invokes two other principles, restrictive in their operation. The first is physical: Nature's forces tend of their own accord only to disorder and destruction, to heaps of ruins, not to architecture. This principle, though plausible at first sight, seems, in the light of recent biology, to be more and more improbable. The second principle is one of anthropomorphic interpretation. No arrangement that for us is 'disorderly' can possibly have been an object of design at all. This principle is of course a mere assumption in the interests of anthropomorphic Theism.
    When one views the world with no definite theological bias one way or the other, one sees that order and disorder, as we now recognize them, are purely human inventions. We are interested in certain types of arrangement, useful, æsthetic, or moral,—so interested that whenever we find them realized, the fact emphatically rivets our attention. The result is that we work over the contents of the world selectively. It is overflowing with disorderly arrangements from our point of view, but order is the only thing we care for and look at, and by choosing, one can always find some sort of orderly arrangement in the midst of any chaos. If I should throw down a thousand beans at random upon a table, I could doubtless, by eliminating a sufficient number of them, leave the rest in almost any geometrical pattern you might propose to me, and you might then say that that pattern was the thing prefigured beforehand, and that the other beans were mere irrelevance and packing material. Our dealings with Nature are just like this. She is a vast plenum in which our attention draws capricious lines in innumerable directions. We count and name whatever lies upon the special lines we trace, whilst the other things and the untraced lines are neither named nor counted. There are in reality infinitely more things