affection of any kind, which being observ'd by it can give rise to a new idea. For that is necessary to produce a new idea of reflection, nor can the mind, by revolving over a thousand times all its ideas of sensation, ever extract from them any new original idea, unless nature has so fram'd its faculties, that it feels some new original impression arise from such a contemplation. But here it only takes notice of the manner, in which the different sounds make their appearance; and that it may afterwards consider without considering these particular sounds, but may conjoin it with any other objects. The ideas of some objects it certainly must have, nor is it possible for it without these ideas ever to arrive at any conception of time; which since it appears not as any primary distinct impression, can plainly be nothing but different ideas, or impressions, or objects dispos'd in a certain manner, that is, succeeding each other.
I know there are some who pretend, that the idea of duration is applicable in a proper sense to objects, which are perfectly unchangeable; and this I take to be the common opinion of philosophers as well as of the vulgar. But to be convinc'd of its falsehood we need but reflect on the foregoing conclusion, that the idea of duration is always deriv'd from a succession of changeable objects, and can never be convey'd to the mind by any thing stedfast and unchangeable. For it inevitably follows from thence, that since the idea of duration cannot be deriv'd from such an object, it can never in any propriety or exactness be apply'd to it, nor can any thing unchangeable be ever said to have duration. Ideas always represent the objects or impressions, from which they are deriv'd, and can never without a fiction represent or be apply'd to any other. By what fiction we apply the idea of time, even to what is unchangeable, and suppose, as is common, that duration is a measure of rest as well as of motion, we shall consider[1] afterwards.
- ↑ Sect. v (p. 65).
