bestows on an ordinary pupil. But an interest in Matilda sprung up in her breast, in proportion as she conceived a venerating gratitude for Darrell. He was aware of the pomp and circumstance which had surrounded her earlier years; he respected the creditable energy with which she had devoted her talents to the support of the young children thrown upon her care; compassionated her bereavement of those little fellow-orphans for whom toil had been rendered sweet; and he strove, by a kindness of forethought and a delicacy of attention, which were the more prized in a man so eminent and so preoccupied, to make her forget that she was a salaried teacher—to place her saliently, and as a matter of course, in the position of gentlewoman, guest, and friend. Recognizing in her a certain vigor and force of intellect apart from her mere accomplishments, he would flatter her scholastic pride, by referring to her memory in some question of reading, or consulting her judgment on some point of critical taste. She, in return, was touched by his chivalrous kindness to the depth of a nature that, though already seriously injured by its unhappy contact with a soul like Jasper's, retained that capacity of gratitude, the loss of which is humanity's last depravation. Nor this alone: Arabella was startled by the intellect and character of Darrell into that kind of homage which a woman, who has hitherto met but her own intellectual inferiors, renders to the first distinguished personage in whom she recognizes, half with humility and half with awe, an understanding and a culture to which her own reason is but the flimsy glass-house, and her own knowledge but the forced exotic.
Arabella, thus roused from her first listlessness, sought to requite Darrell's kindness by exerting every energy to render his insipid daughter an accomplished woman. So far as mere ornamental education extends, the teacher was more successful than, with all her experience, her skill and her zeal, she had presumed to anticipate. Matilda, without ear or taste, or love for music, became a very fair mechanical musician. Without one artistic predisposition, she achieved the science of perspective—she attained even to the mixture of colors—she filled a portfolio with drawings which no young lady need have been ashamed to see circling round a drawing-room. She carried Matilda's thin mind to the farthest bound it could have reached without snapping, through an elegant range of selected histories and harmless feminine classics—through Gallic dialogues—through Tuscan themes—through Teuton verbs—yea, across the invaded bounds of astonished Science into the Elementary Ologies. And all this being done, Matilda Darrell was exactly the same creat-
