Page:What will he do with it.djvu/718

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WHAT WILL HE DO WITH IT?

had placed it there when imploring silence; so still, it might be even slumber. All who have grieved respect grief. Waife did not like to approach her; but he said, from his stand at the threshold—" The sun is quite bright now, Sophy; go out for a little while, darling."

She did not look round—she did not stir; but she answered with readiness—" Yes, presently."

So he closed the door, and left her. An hour passed away; he looked in again; there she was still—in the same place, in the same attitude.

"Sophy, dear, it is time to take your walk; go—Mrs. Morley is in front, before my window. I have called to her to wait for you."

"Yes—presently," answered Sophy, and she did not move.

Waife was seriously alarmed. He paused a moment—then went back to his room—took his hat and his staff—came back.

"Sophy, I should like to hobble out and breathe the air; it will do me good. Will you give me your arm? I am still very weak."

Sophy now started—shook back her fair curls—rose—put on her bonnet, and in less than a minute was by the old man's side. Drawing his arm fondly into hers, they descend the stairs; they are in the garden; Mrs. Morley comes to meet them—then George. Waife exerts himself to talk—to be gay—to protect Sophy's abstracted silence by his own active, desultory, erratic humor. Twice or thrice, as he leans on Sophy's arm, she draws it still nearer to her, and presses it tenderly. She understands—she thanks him. Hark! from some undiscovered hiding-place near the water—Fairthorn's flute! The music fills the landscape as with a living presence; the swans pause upon the still lake—the tame doe steals through yonder leafless trees; and now, musing and slow, from the same desolate coverts, comes the doe's master. The music spells them all. Guy Darrell sees his guests where they have halted by the stone sun-dial. He advances—joins them—congratulates Waife on his first walk as a convalescent. He quotes Gray's well-known verses applicable to that event,[1] and when, in that voice, sweet as the flute itself, he comes to the lines—

"The common sun, the air, the skies,
To him are opening paradise"—

Sophy, as if suddenly struck with remorse at the thought that she, and she alone, was marring that opening paradise to the

  1. "See the wretch who long has tost," etc.—Gray.