the thing a permissible one to do. Throughout all his work Blake affirms freedom as the first law of love; jealousy is to him the great iniquity, the unforgivable selfishness. He has the frank courage to praise in The Visions of the Daughters of Albion
'Infancy, fearless, lustful, happy, nestling for delight
In laps of pleasure! Innocence, honest, open, seeking
The vigorous joys of morning light';
and of woman he asks, 'Who taught thee modesty, subtle modesty?' In the same book, which is Blake's Book of Love, Oothoon offers 'girls of mild silver or of furious gold' to her lover; in the paradisal state of Jerusalem 'every female delights to give her maiden to her husband.' All these things are no doubt symbols, but they are symbols which meet us on every page of Blake, and I no not doubt that to him they represented an absolute truth. Therefore I think it perfectly possible that some 'mentally polygamous project' was at one time or another entertained by him, and 'justified on some patriarchal theory.' What I am sure of, however, is that a tear of Mrs. Blake ('for a tear is an intellectual thing') was enough to wipe out project if not theory,
