men of poetic minds, or those who were fond of things out of the common way. He earned a little fame, but no money by these speculations, and had to depend for bread on the labours of the graver.
All this neither crushed his spirit, nor induced him to work more in the way of the world; but it had a visible influence upon his mind. He became more seriously thoughtful, avoided the company of men, and lived in the manner of a hermit, in that vast wilderness, London. Necessity made him frugal, and honesty and independence prescribed plain clothes, homely fare, and a cheap habitation. He was thus compelled more than ever to retire to worlds of his own creating, and seek solace in visions of paradise for the joys which the earth denied him. By frequent indulgence in these imaginings, he gradually began to believe in the reality of what dreaming fancy painted—the pictured forms which swarmed before his eyes, assumed, in his apprehension, the stability of positive revelations, and he mistook the vivid figures, which his professional imagination shaped, for the poets, and heroes, and princes of old. Amongst his friends, he at length ventured to intimate that the designs on which he was engaged were not from his own mind, but copied from grand works revealed to him in visions; and those who believed that, would readily lend an ear to the assurance that he was commanded to execute his performances by a celestial tongue!
