Page:Zhuang Zi - translation Giles 1889.djvu/56

From Wikisource
Jump to navigation Jump to search
This page has been validated.
22
Chuang Tzŭ

and rising of Chao Wên's music,—the consequences of his playing.

Chao Wên played the guitar. Shih K'uang wielded the bâton.

To keep time.

Hui Tzŭ argued. Herein these three men excelled, and in the practice of such arts they passed their lives.

"Hui Tzŭ's particular views being very different from those of the world in general, he was correspondingly anxious to enlighten people. But he did not enlighten them as he should have done,

By the cultivation and passive manifestation of his own inward light.

and consequently ended in the obscurity of the 'hard and white.'

Hui Tzŭ regarded such abstractions as hardness and whiteness as separate existences, of which the mind could only be conscious separately, one at a time.

Subsequently, his son searched his works for some clue, but never succeeded in establishing the principle. And indeed if such were possible to be established, then even I am established; but if not, then neither I nor anything in the universe is established!

"Therefore what the true Sage aims at is the light which comes out of darkness. He does not view things as apprehended by himself, subjectively, but transfers himself into the position of the things viewed. This is called using the light.

"There remains, however, Speech. Is that to be