Reason in Common Sense/Chapter X
To put value in pleasure and pain, regarding a given quantity of pain as balancing a given quantity of pleasure, is to bring to practical ethics a worthy intention to be clear and, what is more precious, an undoubted honesty not always found in those moralists who maintain the opposite opinion and care more for edification than for truth. For in spite of all logical and psychological scruples, conduct that should not justify itself somehow by the satisfactions secured and the pains avoided would not justify itself at all. The most instinctive and unavoidable desire is forthwith chilled if you discover that its ultimate end is to be a preponderance of suffering; and what arrests this desire is not fear or weakness but conscience in its most categorical and sacred guise. Who would not be ashamed to acknowledge or to propose so inhuman an action?
By sad experience rooted impulses may be transformed or even obliterated. And quite intelligibly: for the idea of pain is already the sign and the beginning of a certain stoppage. To imagine failure is to interpret ideally a felt inhibition. To prophesy a check would be impossible but for an incipient movement already meeting an incipient arrest. Intensified, this prophecy becomes its own fulfilment and totally inhibits the opposed tendency. Therefore a mind that foresees pain to be the ultimate result of action cannot continue unreservedly to act, seeing that its foresight is the conscious transcript of a recoil already occurring. Conversely, the mind that surrenders itself wholly to any impulse must think that its execution would be delightful. A perfectly wise and representative will, therefore, would aim only at what, in its attainment, could continue to be aimed at and approved; and this is another way of saying that its aim would secure the maximum of satisfaction eventually possible.
In spite, however, of this involution of pain and pleasure in all deliberate forecast and volition, pain and pleasure are not the ultimate sources of value. A correct psychology and logic cannot allow that an eventual and, in strictness, unpresentable feeling, can determine any act or volition, but must insist that, on the contrary, all beliefs about future experience, with all premonition of its emotional quality, is based on actual impulse and feeling; so that the source of value is nothing but the inner fountain of life and imagination, and the object of pursuit nothing but the ideal object, counterpart of the present demand. Abstract satisfaction is not pursued, but, if the will and the environment are constant, satisfaction will necessarily be felt in achieving the object desired. A rejection of hedonistic psychology, therefore, by no means involves any opposition to eudaemonism in ethics. Eudaemonism is another name for wisdom: there is no other moral morality. Any system that, for some sinister reason, should absolve itself from good-will toward all creatures, and make it somehow a duty to secure their misery, would be clearly disloyal to reason, humanity, and justice. Nor would it be hard, in that case, to point out what superstition, what fantastic obsession, or what private fury, had made those persons blind to prudence and kindness in so plain a matter. Happiness is the only sanction of life; where happiness fails, existence remains a mad and lamentable experiment. The question, however, what happiness shall consist in, its complexion if it should once arise, can only be determined by reference to natural demands and capacities; so that while satisfaction by the attainment of ends can alone justify their pursuit, this pursuit itself must exist first and be spontaneous, thereby fixing the goals of endeavour and distinguishing the states in which satisfaction might be found. Natural disposition, therefore, is the principle of preference and makes morality and happiness possible.
The standard of value, like every standard, must be one. Pleasures and pains are not only infinitely diverse but, even if reduced to their total bulk and abstract opposition, they remain two. Their values must be compared, and obviously neither one can be the standard by which to judge the other. This standard is an ideal involved in the judgment passed, whatever that judgment may be. Thus when Petrarch says that a thousand pleasures are not worth one pain, he establishes an ideal of value deeper than either pleasure or pain, an ideal which makes a life of satisfaction marred by a single pang an offence and a horror to his soul. If our demand for rationality is less acute and the miscellaneous affirmations of the will carry us along with a well-fed indifference to some single tragedy within us, we may aver that a single pang is only the thousandth part of a thousand pleasures and that a life so balanced is nine hundred and ninety-nine times better than nothing. This judgment, for all its air of mathematical calculation, in truth expresses a choice as irrational as Petrarch’s. It merely means that, as a matter of fact, the mixed prospect presented to us attracts our wills and attracts them vehemently. So that the only possible criterion for the relative values of pains and pleasures is the will that chooses among them or among combinations of them; nor can the intensity of pleasures and pains, apart from the physical violence of their expression, be judged by any other standard than by the power they have, when represented, to control the will’s movement. Here we come upon one of those initial irrationalities in the world which theories of all sorts, since they are attempts to find rationality in things, are in serious danger of overlooking. In estimating the value of any experience, our endeavour, our pretension, is to weigh the value which that experience possesses when it is actual. But to weigh is to compare, and to compare is to represent, since the transcendental isolation and self-sufficiency of actual experience precludes its lying side by side with another datum, like two objects given in a single consciousness. Successive values, to be compared, must be represented; but the conditions of representation are such that they rob objects of the values they had at their first appearance to substitute the values they possess at their recurrence. For representation mirrors consciousness only by mirroring its objects, and the emotional reaction upon those objects cannot be represented directly, but is approached by indirect methods, through an imitation or assimilation of will to will and emotion to emotion. Only by the instrumentality of signs, like gesture or language, can we bring ourselves to reproduce in some measure an absent experience and to feel some premonition of its absolute value. Apart from very elaborate and cumulative suggestions to the contrary, we should always attribute to an event in every other experience the value which its image now had in our own. But in that case the pathetic fallacy would be present; for a volitional reaction upon an idea in one vital context is no index to what the volitional reaction would be in another vital context upon the situation which that idea represents.
This divergence falsifies all representation of life and renders it initially cruel, sentimental, and mythical. We dislike to trample on a flower, because its form makes a kind of blossoming in our own fancy which we call beauty; but we laugh at pangs we endured in childhood and feel no tremor at the incalculable sufferings of all mankind beyond our horizon, because no imitable image is involved to start a contrite thrill in our own bosom. The same cruelty appears in aesthetic pleasures, in lust, war, and ambition; in the illusions of desire and memory; in the unsympathetic quality of theory everywhere, which regards the uniformities of cause and effect and the beauties of law as a justification for the inherent evils in the experience described; in the unjust judgments, finally, of mystical optimism, that sinks so completely into its subjective commotion as to mistake the suspension of all discriminating and representative faculties for a true union in things, and the blur of its own ecstasy for a universal glory. These pleasures are all on the sensuous plane, the plane of levity and unintentional wickedness; but in their own sphere they have their own value. Æsthetic and speculative emotions make an important contribution to the total worth of existence, but they do not abolish the evils of that experience on which they reflect with such ruthless satisfaction. The satisfaction is due to a private flood of emotion submerging the images present in fancy, or to the exercise of a new intellectual function, like that of abstraction, synthesis, or comparison. Such a faculty, when fully developed, is capable of yielding pleasures as intense and voluminous as those proper to rudimentary animal functions, wrongly supposed to be more vital. The acme of vitality lies in truth in the most comprehensive and penetrating thought. The rhythms, the sweep, the impetuosity of impassioned contemplation not only contain in themselves a great vitality and potency, but they often succeed in engaging the lower functions in a sympathetic vibration, and we see the whole body and soul rapt, as we say, and borne along by the harmonies of imagination and thought. In these fugitive moments of intoxication the detail of truth is submerged and forgotten. The emotions which would be suggested by the parts are replaced by the rapid emotion of transition between them; and this exhilaration in survey, this mountain-top experience, is supposed to be also the truest vision of reality. Absorption in a supervening function is mistaken for comprehension of all fact, and this inevitably, since all consciousness of particular facts and of their values is then submerged in the torrent of cerebral excitement. That luminous blindness which in these cases takes an extreme form is present in principle throughout all reflection. We tend to regard our own past as good only when we still find some value in the memory of it. Last year, last week, even the feelings of the last five minutes, are not otherwise prized than by the pleasure we may still have in recalling them; the pulsations of pleasure or pain which they contained we do not even seek to remember or to discriminate. The period is called happy or unhappy merely as its ideal representation exercises fascination or repulsion over the present will. Hence the revulsion after physical indulgence, often most violent when the pleasure—judged by its concomitant expression and by the desire that heralded it—was most intense. For the strongest passions are intermittent, so that the unspeakable charm which their objects possess for a moment is lost immediately and becomes unintelligible to a chilled and cheated reflection. The situation, when yet unrealised, irresistibly solicited the will and seemed to promise incomparable ecstasy; and perhaps it yields an indescribable moment of excitement and triumph—a moment only half-appropriated into waking experience, so fleeting is it, and so unfit the mind to possess or retain its tenser attitudes. The same situation, if revived in memory when the system is in an opposite and relaxed state, forfeits all power to attract and fills the mind rather with aversion and disgust. For all violent pleasures, as Shakespeare says, are cruel and not to be trusted.
- A bliss in proof and, proved, a very woe:
Before, a joy proposed; behind, a dream . . .
Enjoyed no sooner but despised straight;
Past reason hunted and, no sooner had,
Past reason hated.
- A bliss in proof and, proved, a very woe:
Past reason, indeed. For although an impulsive injustice is inherent in the very nature of representation and cannot be overcome altogether, yet reason, by attending to all the evidences that can be gathered and by confronting the first pronouncement by others fetched from every quarter of experience, has power to minimise the error and reach a practically just estimate of absent values. This achieved rightness can be tested by comparing two experiences, each when it is present, with the same conventional permanent object chosen to be their expression. A love-song, for instance, can be pronounced adequate or false by various lovers; and it can thus remain a sort of index to the fleeting sentiments once confronted with it. Reason has, to be sure, no independent method of discovering values. They must be rated as the sensitive balance of present inclination, when completely laden, shows them to stand. In estimating values reason is reduced to data furnished by the mechanical processes of ideation and instinct, as in framing all knowledge; an absent joy can only be represented by a tinge of emotion dyeing an image that pictures the situation in which the joy was felt; but the suggested value being once projected into the potential world, that land of inferred being, this projection may be controlled and corroborated by other suggestions and associations relevant to it, which it is the function of reason to collect and compare. A right estimate of absent values must be conventional and mediated by signs. Direct sympathies, which suffice for instinctive present co-operation, fail to transmit alien or opposite pleasures. They over-emphasise momentary relations, while they necessarily ignore permanent bonds. Therefore the same intellect that puts a mechanical reality behind perception must put a moral reality behind sympathy.
Fame, for example, is a good; its value arises from a certain movement of will and emotion which is elicited by the thought that one’s name might be associated with great deeds and with the memory of them. The glow of this thought bathes the object it describes, so that fame is felt to have a value quite distinct from that which the expectation of fame may have in the present moment. Should this expectation be foolish and destined to prove false, it would have no value, and be indeed the more ludicrous and repulsive the more pleasure its dupe took in it, and the longer his illusion lasted. The heart is resolutely set on its object and despises its own phenomena, not reflecting that its emotions have first revealed that object’s worth and alone can maintain it. For if a man cares nothing for fame, what value has it?
This projection of interest into excellence takes place mechanically and is in the first instance irrational. Did all glow die out from memory and expectation, the events represented remaining unchanged, we should be incapable of assigning any value to those events, just as, if eyes were lacking, we should be incapable of assigning colour to the world, which would, notwithstanding, remain as it is at present. So fame could never be regarded as a good if the idea of fame gave no pleasure; yet now, because the idea pleases, the reality is regarded as a good, absolute and intrinsic. This moral hypostasis involved in the love of fame could never be rationalised, but would subsist unmitigated or die out unobserved, were it not associated with other conceptions and other habits of estimating values. For the passions are humanised only by being juxtaposed and forced to live together. As fame is not man’s only goal and the realisation of it comes into manifold relations with other interests no less vivid, we are able to criticise the impulse to pursue it.
Fame may be the consequence of benefits conferred upon mankind. In that case the abstract desire for fame would be reinforced and, as it were, justified by its congruity with the more voluminous and stable desire to benefit our fellow-men. Or, again, the achievements which insure fame and the genius that wins it probably involve a high degree of vitality and many profound inward satisfactions to the man of genius himself; so that again the abstract love of fame would be reinforced by the independent and more rational desire for a noble and comprehensive experience. On the other hand, the minds of posterity, whose homage is craved by the ambitious man, will probably have very false conceptions of his thoughts and purposes. What they will call by his name will be, in a great measure, a fiction of their own fancy and not his portrait at all. Would Caesar recognise himself in the current notions of him, drawn from some school-history, or perhaps from Shakespeare’s satirical portrait? Would Christ recognise himself upon our altars, or in the romances about him constructed by imaginative critics? And not only is remote experience thus hopelessly lost and misrepresented, but even this nominal memorial ultimately disappears.
The love of fame, if tempered by these and similar considerations, would tend to take a place in man’s ideal such as its roots in human nature and its functions in human progress might seem to justify. It would be rationalised in the only sense in which any primary desire can be rationalised, namely, by being combined with all others in a consistent whole. How much of it would survive a thorough sifting and criticism, may well remain in doubt. The result would naturally differ for different temperaments and in different states of society. The wisest men, perhaps, while they would continue to feel some love of honour and some interest in their image in other minds, would yet wish that posterity might praise them as Sallust praises Cato by saying: Esse quam videri bonus maluit; he preferred worth to reputation.
The fact that value is attributed to absent experience according to the value experience has in representation appears again in one of the most curious anomalies in human life—the exorbitant interest which thought and reflection take in the form of experience and the slight account they make of its intensity or volume. Sea-sickness and child-birth when they are over, the pangs of despised love when that love is finally forgotten or requited, the travail of sin when once salvation is assured, all melt away and dissolve like a morning mist leaving a clear sky without a vestige of sorrow. So also with merely remembered and not reproducible pleasures; the buoyancy of youth, when absurdity is not yet tedious, the rapture of sport or passion, the immense peace found in a mystical surrender to the universal, all these generous ardours count for nothing when they are once gone. The memory of them cannot cure a fit of the blues nor raise an irritable mortal above some petty act of malice or vengeance, or reconcile him to foul weather. An ode of Horace, on the other hand, a scientific monograph, or a well-written page of music is a better antidote to melancholy than thinking on all the happiness which one’s own life or that of the universe may ever have contained. Why should overwhelming masses of suffering and joy affect imagination so little while it responds sympathetically to aesthetic and intellectual irritants of very slight intensity, objects that, it must be confessed, are of almost no importance to the welfare of mankind? Why should we be so easily awed by artistic genius and exalt men whose works we know only by name, perhaps, and whose influence upon society has been infinitesimal, like a Pindar or a Leonardo, while we regard great merchants and inventors as ignoble creatures in comparison? Why should we smile at the inscription in Westminster Abbey which calls the inventor of the spinning-jenny one of the true benefactors of mankind? Is it not probable, on the whole, that he has had a greater and less equivocal influence on human happiness than Shakespeare with all his plays and sonnets? But the cheapness of cotton cloth produces no particularly delightful image in the fancy to be compared with Hamlet or Imogen. There is a prodigious selfishness in dreams: they live perfectly deaf and invulnerable amid the cries of the real world.
The same æsthetic bias appears in the moral sphere. Utilitarians have attempted to show that the human conscience commends precisely those actions which tend to secure general happiness and that the notions of justice and virtue prevailing in any age vary with its social economy and the prizes it is able to attain. And, if due allowance is made for the complexity of the subject, we may reasonably admit that the precepts of obligatory morality bear this relation to the general welfare; thus virtue means courage in a soldier, probity in a merchant, and chastity in a woman. But if we turn from the morality required of all to the type regarded as perfect and ideal, we find no such correspondence to the benefits involved. The selfish imagination intervenes here and attributes an absolute and irrational value to those figures that entertain it with the most absorbing and dreamful emotions. The character of Christ, for instance, which even the least orthodox among us are in the habit of holding up as a perfect model, is not the character of a benefactor but of a martyr, a spirit from a higher world lacerated in its passage through this uncomprehending and perverse existence, healing and forgiving out of sheer compassion, sustained by his inner affinities to the supernatural, and absolutely disenchanted with all earthly or political goods. Christ did not suffer, like Prometheus, for having bestowed or wished to bestow any earthly blessing: the only blessing he bequeathed was the image of himself upon the cross, whereby men might be comforted in their own sorrows, rebuked in their worldliness, driven to put their trust in the supernatural, and united, by their common indifference to the world, in one mystic brotherhood. As men learned these lessons, or were inwardly ready to learn them, they recognised more and more clearly in Jesus their heaven-sent redeemer, and in following their own conscience and desperate idealism into the desert or the cloister, in ignoring all civic virtues and allowing the wealth, art, and knowledge of the pagan world to decay, they began what they felt to be an imitation of Christ.
All natural impulses, all natural ideals, subsisted of course beneath this theoretic asceticism, writhed under its unearthly control, and broke out in frequent violent irruptions against it in the life of each man as well as in the course of history. Yet the image of Christ remained in men’s hearts and retained its marvellous authority, so that even now, when so many who call themselves Christians, being pure children of nature, are without the least understanding of what Christianity came to do in the world, they still offer his person and words a sincere if inarticulate worship, trying to transform that sacrificial and crucified spirit, as much as their bungling fancy can, into a patron of Philistia Felix. Why this persistent adoration of a character that is the extreme negation of all that these good souls inwardly value and outwardly pursue? Because the image of Christ and the associations of his religion, apart from their original import, remain rooted in the mind: they remain the focus for such wayward emotions and mystic intuitions as their magnetism can still attract, and the value which this hallowed compound possesses in representation is transferred to its nominal object, and Christ is the conventional name for all the impulses of religion, no matter how opposite to the Christian.
Symbols, when their significance has been great, outlive their first significance. The image of Christ was a last refuge to the world; it was a consolation and a new ground for hope, from which no misfortune could drive the worshipper. Its value as an idea was therefore immense, as to the lover the idea of his untasted joys, or to the dying man the idea of health and invigorating sunshine. The votary can no more ask himself whether his deity, in its total operation, has really blessed him and deserved his praise than the lover can ask if his lady is worth pursuing or the expiring cripple whether it would be, in very truth, a benefit to be once more young and whole. That life is worth living is the most necessary of assumptions and, were it not assumed, the most impossible of conclusions. Experience, by its passive weight of joy and sorrow, can neither inspire nor prevent enthusiasm; only a present ideal will avail to move the will and, if realised, to justify it. A saint’s halo is an optical illusion; it glorifies his actions whatever their eventual influence in the world, because they seem to have, when rehearsed dramatically, some tenderness or rapture or miracle about them. Thus it appears that the great figures of art or religion, together with all historic and imaginative ideals, advance insensibly on the values they represent. The image has more lustre than the original, and is often the more important and influential fact. Things are esteemed as they weigh in representation. A memorable thing, people say in their eulogies, little thinking to touch the ground of their praise. For things are called great because they are memorable, they are not remembered because they were great. The deepest pangs, the highest joys, the widest influences are lost to apperception in its haste, and if in some rational moment reconstructed and acknowledged, are soon forgotten again and cut off from living consideration. But the emptiest experience, even the most pernicious tendency, if embodied in a picturesque image, if reverberating in the mind with a pleasant echo, is idolised and enshrined. Fortunate indeed was Achilles that Homer sang of him, and fortunate the poets that make a public titillation out of their sorrows and ignorance. This imputed and posthumous fortune is the only happiness they have. The favours of memory are extended to those feeble realities and denied to the massive substance of daily experience. When life dies, when what was present becomes a memory, its ghost flits still among the living, feared or worshipped not for the experience it once possessed but for the aspect it now wears. Yet this injustice in representation, speculatively so offensive, is practically excusable; for it is in one sense right and useful that all things, whatever their original or inherent dignity, should be valued at each moment only by their present function and utility.
The error involved in attributing value to the past is naturally aggravated when values are to be assigned to the future. In the latter case imagination cannot be controlled by circumstantial evidence, and is consequently the only basis for judgment. But as the conception of a thing naturally evokes an emotion different from that involved in its presence, ideals of what is desirable for the future contain no warrant that the experience desired would, when actual, prove to be acceptable and good. An ideal carries no extrinsic assurance that its realisation would be a benefit. To convince ourselves that an ideal has rational authority and represents a better experience than the actual condition it is contrasted with, we must control the prophetic image by as many circumlocutions as possible. As in the case of fame, we must buttress or modify our spontaneous judgment with all the other judgments that the object envisaged can prompt: we must make our ideal harmonise with all experience rather than with a part only. The possible error remains even then; but a practical mind will always accept the risk of error when it has made every possible correction. A rational will is not a will that has reason for its basis or that possesses any other proof that its realisation would be possible or good than the oracle which a living will inspires and pronounces. The rationality possible to the will lies not in its source but in its method. An ideal cannot wait for its realisation to prove its validity. To deserve loyalty it needs only to be adequate as an ideal, that is, to express completely what the soul at present demands, and to do justice to all extant interests.