The Japanese Quince
As Mr. Nilson, well known in the City, opened the window of his dressing-room on Campden Hill, he experienced a peculiar sweetish sensation in the back of his throat, and a feeling of emptiness just under his fifth rib. Hooking the window back, he noticed that a little tree in the Square Gardens had come out in blossom, and that the thermometer stood at sixty. 'Perfect morning,' he thought; 'spring at last!'
Resuming some meditations on the price of Tintos, he took up an ivory-backed hand-glass and scrutinised his face. His firm, well-coloured cheeks, with their neat brown moustaches, and his round, well-opened, clear grey eyes, wore a reassuring appearance of good health. Putting on his black frock coat, he went downstairs.
In the dining-room his morning paper was laid out on the sideboard. Mr. Nilson had scarcely taken it in his hand when he again became aware of that queer feeling. Somewhat concerned, he went to the French window and descended the scrolled iron steps into the fresh air. A cuckoo clock struck eight.
'Half an hour to breakfast,' he thought; 'I'll take a turn in the Gardens.'
He had them to himself, and proceeded to pace the circular path with his morning paper clasped behind him. He had scarcely made two revolutions, however, when it was borne in on him that, instead of going away in the fresh air, the feeling had increased. He drew several deep breaths, having heard deep breathing recommended by his wife's doctor; but they augmented rather than diminished the sensation--as if some sweetish liquor in course within him, together with a faint aching just above his heart. Running over what he had eaten the night before, he could recollect no unusual dish, and it occurred to him that it might possibly be some smell affecting him. But he could detect nothing except a faint sweet lemony scent, rather agreeable than otherwise, which evidently emanated from the bushes budding in the sunshine. He was on the point of resuming his promenade, when a blackbird close by burst into song, and, looking up, Mr. Nilson saw at a distance of perhaps five yards a little tree, in the heart of whose branches the bird was perched. He stood staring curiously at this tree, recognising it for that which he had noticed from his window. It was covered with young blossoms, pink and white, and little bright green leaves both round and spiky; and on all this blossom and these leaves the sunlight glistened. Mr. Nilson smiled; the little tree was so alive and pretty! And instead of passing on, he stayed there smiling at the tree.
'Morning like this!' he thought; 'and here I am the only person in the Square who has the--to come out and--!' But he had no sooner conceived this thought than he saw quite near him a man with his hands behind him, who was also staring up and smiling at the little tree. Rather taken aback, Mr. Nilson ceased to smile, and looked furtively at the stranger. It was his next-door neighbour, Mr. Tandram, well known in the City, who had occupied the adjoining house for some five years. Mr. Nilson perceived at once the awkwardness of his position, for, being married, they had not yet had occasion to speak to one another. Doubtful as to his proper conduct, he decided at last to murmur: "Fine morning!" and was passing on, when Mr. Tandram answered: "Beautiful, for the time of year!" Detecting a slight nervousness in his neighbour's voice, Mr. Nilson was emboldened to regard him openly. He was of about Mr. Nilson's own height, with firm well-coloured cheeks, neat brown moustaches, and round, well-opened, clear grey eyes; and he was wearing a black frock coat. Mr. Nilson noticed that he had his morning paper clasped behind him as he looked up at the little tree. And, visited somehow by the feeling that he had been caught out, he said abruptly:
"Er--can you give me the name of that tree?"
Mr. Tandram answered:
"I was about to ask you that," and stepped towards it. Mr. Nilson also approached the tree.
"Sure to have its name on, I should think," he said.
Mr. Tandram was the first to see the little label, close to where the blackbird had been sitting. He read it out.
"Ah!" said Mr. Nilson, "thought so. Early flowerers."
"Very," assented Mr. Tandram, and added: "Quite a feelin' in the air to-day."
Mr. Nilson nodded.
"It was a blackbird singin'," he said.
"Blackbirds," answered Mr. Tandram, "I prefer them to thrushes myself; more body in the note." And he looked at Mr. Nilson in an almost friendly way.
"Quite," murmured Mr. Nilson. "These exotics, they don't bear fruit. Pretty blossom!" and he again glanced up at the blossom, thinking: 'Nice fellow, this, I rather like him.'
Mr. Tandram also gazed at the blossom. And the little tree as if appreciating their attention, quivered and glowed. From a distance the blackbird gave a loud, clear call. Mr. Nilson dropped his eyes. It struck him suddenly that Mr. Tandram looked a little foolish; and, as if he had seen himself, he said: "I must be going in. Good morning!"
A shade passed over Mr. Tandram's face, as if he, too, had suddenly noticed something about Mr. Nilson.
"Good morning," he replied, and clasping their journals to their backs they separated.
Mr. Nilson retraced his steps toward his garden window, walking slowly so as to avoid arriving at the same time as his neighbour. Having seen Mr. Tandram mount his scrolled iron steps, he ascended his own in turn. On the top step he paused.
With the slanting spring sunlight darting and quivering into it, the Japanese quince seemed more living than a tree. The blackbird had returned to it, and was chanting out his heart.
Mr. Nilson sighed; again he felt that queer sensation, that choky feeling in his throat.
The sound of a cough or sigh attracted his attention. There, in the shadow of his French window, stood Mr. Tandram, also looking forth across the Gardens at the little quince tree.
Unaccountably upset, Mr. Nilson turned abruptly into the house, and opened his morning paper.
This work is in the public domain in the United States because it was published before January 1, 1923.
The author died in 1933, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 80 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.