The Mortal Lease

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The Mortal Lease
by Edith Wharton
1909 from Artemis to Actaeon

I
BECAUSE the currents of our love are poured
Through the slow welter of the primal flood
From some blind source of monster-haunted mud,
And flung together by random forces stored
Ere the vast void with rushing worlds was scored--
Because we know ourselves but the dim scud
Tossed from their heedless keels, the sea-blown bud
That wastes and scatters ere the wave has roared--

Because we have this knowledge in our veins,
Shall we deny the journey's gathered lore--
The great refusals and the long disdains,
The stubborn questing for a phantom shore,
The sleepless hopes and memorable pains,
And all mortality's immortal gains?

II
Because our kiss is as the moon to draw
The mounting waters of that red-lit sea
That circles brain with sense, and bids us be
The playthings of an elemental law,
Shall we forego the deeper touch of awe
On love's extremest pinnacle, where we,
Winging the vistas of infinity,
Gigantic on the mist our shadows saw?

Shall kinship with the dim first-moving clod
Not draw the folded pinion from the soul,
And shall we not, by spirals vision-trod,
Reach upward to some still-retreating goal,
As earth, escaping from the night's control,
Drinks at the founts of morning like a god?

III
All, all is sweet in that commingled draught
Mysterious, that life pours for lovers' thirst,
And I would meet your passion as the first
Wild woodland woman met her captor's craft,
Or as the Greek whose fearless beauty laughed
And doffed her raiment by the Attic flood;
But in the streams of my belated blood
Flow all the warring potions love has quaffed.

How can I be to you the nymph who danced
Smooth by Ilissus as the plane-tree's bole,
Or how the Nereid whose drenched lashes glanced
Like sea-flowers through the summer sea's long roll--
I that have also been the nun entranced
Who night-long held her Bridegroom in her soul?

IV
"Sad Immortality is dead," you say,
"And all her grey brood banished from the soul;
Life, like the earth, is now a rounded whole,
The orb of man's dominion. Live to-day."
And every sense in me leapt to obey,
Seeing the routed phantoms backward roll;
But from their waning throng a whisper stole,
And touched the morning splendour with decay.

"Sad Immortality is dead; and we
The funeral train that bear her to her grave.
Yet hath she left a two-faced progeny
In hearts of men, and some will always see
The skull beneath the wreath, yet always crave
In every kiss the folded kiss to be."

V
Yet for one rounded moment I will be
No more to you than what my lips may give,
And in the circle of your kisses live
As in some island of a storm-blown sea,
Where the cold surges of infinity
Upon the outward reefs unheeded grieve,
And the loud murmur of our blood shall weave
Primeval silences round you and me.

If in that moment we are all we are
We live enough. Let this for all requite.
Do I not know, some winged things from far
Are borne along illimitable night
To dance their lives out in a single flight
Between the moonrise and the setting star?

VI
The Moment came, with sacramental cup
Lifted--and all the vault of life grew bright
With tides of incommensurable light--
But tremblingly I turned and covered up
My face before the wonder. Down the slope
I heard her feet in irretrievable flight,
And when I looked again, my stricken sight
Saw night and rain in a dead world agrope.

Now walks her ghost beside me, whispering
With lips derisive: "Thou that wouldst forego--
What god assured thee that the cup I bring
Globes not in every drop the cosmic show,
All that the insatiate heart of man can wring
From life's long vintage?--Now thou shalt not know."

VII
Shall I not know? I, that could always catch
The sunrise in one beam along the wall,
The nests of June in April's mating call,
And ruinous autumn in the wind's first snatch
At summer's green impenetrable thatch--
That always knew far off the secret fall
Of a god's feet across the city's brawl,
The touch of silent fingers on my latch?

Not thou, vain Moment! Something more than thou
Shall write the score of what mine eyes have wept,
The touch of kisses that have missed my brow,
The murmur of wings that brushed me while I slept,
And some mute angel in the breast even now
Measures my loss by all that I have kept.

VIII
Strive we no more. Some hearts are like the bright
Tree-chequered spaces, flecked with sun and shade,
Where gathered in old days the youth and maid
To woo, and weave their dances: with the night
They cease their flutings, and the next day's light
Finds the smooth green unconscious of their tread,
And ready its velvet pliancies to spread
Under fresh feet, till these in turn take flight.

But other hearts a long long road doth span,
From some far region of old works and wars,
And the weary armies of the thoughts of man
Have trampled it, and furrowed it with scars,
And sometimes, husht, a sacred caravan
Moves over it alone, beneath the stars.


This work is in the public domain in the United States because it was published before January 1, 1923.

The author died in 1937, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 75 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.