The Unknown Soldier
|←New York Herald||The Unknown Soldier (1921)
|Pulitzer Prize for Editorial Writing, first published on Nov. 11, 1921.Awarded the 1922|
That which takes place today at the National Cemetery in Arlington is a symbol, a mystery and a tribute. It is an entombment only in the physical sense. It is rather the enthronement of Duty and Honor. This man who died for his country is the symbol of these qualities; a far more perfect symbol than any man could be whose name and deeds we knew. He represents more, really, than the unidentified dead, for we can not separate them spiritually from the war heroes whose names are written on their gravestones. He—this spirit whom we honor —stands for the unselfishness of all.
This, of all monuments to the dead, is lasting and immutable. So long as men revere the finer things of life the tomb of the nameless hero will remain a shrine. Nor, with the shifts of time and mind, can there be a changing of values. No historian shall rise to modify the virtues or the faults of the Soldier. He has an immunity for which kings' might pray. The years may bring erosion to the granite but not to the memory of the Unknown.
It is a common weakness of humanity to ask the questions that can never be answered in this life. Probably none to whom the drama of the Unknown Soldier has appealed has not wondered who, in the sunshine of earth, was the protagonist of today's ceremony. A logger from the Penobscot? An orchardist from the Pacific Coast? A well-driller from Texas? A machinist from Connecticut? A lad who left his hoe to rust among the Missouri corn? A longshoreman from Hell's Kitchen? Perhaps some youth from the tobacco fields, resting again in his own Virginia. All that the Army tells us of him is that he died in battle. All that the heart tells is that some woman loved him. More than that no man shall learn. In this mystery, as in the riddle of the universe, the wise wonder; but they would not know.
What were his dreams, his ambitions? Likely he shared those common to the millions: a life of peace and honest struggle, with such small success as comes to most who try; and at the end the place on the hillside among his fathers. Today to do honor at his last resting-place come the greatest soldiers of the age, famous statesmen from other continents, the President, the high judges and the legislators of his own country, and many men who, like himself, fought for the flag. At his bier will gather the most remarkable group that America has seen. And the tomb which Fate reserved for him is, instead of the narrow cell on the village hillside, one as lasting as that of Rameses and as inspiring as Napoleon's.
It is a great religious ceremony, this burial today. The exaltation of the nameless bones would not be possible except for Belief. Where were Duty and Honor, the well-springs of Victory, if mankind feared that death drew a black curtain behind which lay nothing but the dark? So all in whom the spark of hope has not died can well believe that we, to whom the Soldier is a mystery, are not a mystery to him. They can believe that the watchers at Arlington today are not merely a few thousands of the living but the countless battalions of the departed. "Tho he were dead, yet shall he live"—there is the promise to which men hold when everything of this earth has slipt away.
All the impressive ritual of today would be a mockery if we did not believe that, out in an infinity which astronomers can not chart or mathematicians bound, the Unknown Soldier and all the glorious dead whom we honor in his dust are looking down upon this little spinning ball, conscious of our reverence. And when noon strikes, signal for the moment of silent prayer, few of those who stand with bared head will lack conviction that the rites at Arlington are viewed by other than mortal eyes. Only in that spirit may we honor the Unknown Soldier and those who, like him, died for this Republic.
Unknown, but not unknowing!
|This work is in the public domain in the United States because it was published before January 1, 1923.
The author died in 1943, so this work is also in the public domain in countries and areas where the copyright term is the author's life plus 60 years or less. This work may also be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.