1911 Encyclopædia Britannica/Talfourd, Sir Thomas Noon
TALFOURD, SIR THOMAS NOON (1795-1854), English judge and author, the son of a brewer in good circumstances, was born on the 26th of May 1795 at Reading (not, as is some- times stated, at Doxey, near Stafford). He received his early education at> Hendon, and at the Reading grammar-school. At the age of eighteen he was sent to London to study law under Joseph Chitty, the special pleader. Early in 1821 he joined the Oxford circuit, having been called to the bar at the middle Temple in the same year. When, fourteen years later, he was created a serjeant-at-law, and when again he in 1849 succeeded Mr. Justice Coltman as judge of the court of common pleas, he attained these distinctions more perhaps for his laborious care in the conduct of cases than on account of any forensic brilliance. At the general election in 1835 he was returned for Reading. This seat he retained for close upon six years, and he was again returned in 1847. In the House of Commons he introduced an International Copyright Bill; his speech on this subject was considered the most telling made in the House during that session. The bill met with strong opposition, but Talfourd had the satisfaction of seeing it pass into law in 1842, albeit in a greatly modified form. Dickens dedicated the Pickwick Papers to him.
In his early years in London Talfourd was dependent—in great measure, at least — upon his literary exertions. He was at this period on the staff of the London Magazine, and was an occasional contributor to the Edinburgh and Quarterly reviews, the New Monthly Magazine, and other periodicals; while, on joining the Oxford circuit, he acted as law reporter to The Times. His legal writings on matters germane to literature are excellent expositions, animated by a lucid and telling, if not highly polished, style. Among the best of these are his article "On the Principle of Advocacy in the Practice of the Bar " (in the Law Magazine, January 1846); his Proposed New Law of Copyright of the Highest Importance to Authors (1838); Three Speeches delivered in the House of Commons in Favour of an Extension of Copyright (1840); and his famous Speech for the Defendant in the Prosecution, the Queen v. Moxon, for the Publication of Shelley's Poetical Works (1841).
But Talfourd cannot be said to have gained any position among men of letters until the production of his tragedy Ion, which was privately printed in 1835, and produced in the follow- ing year at Covent Garden theatre. The tragedy was also well received in America, and was reproduced at Sadler's Wells in December 1861. This dramatic poem, its author's masterpiece, turns upon the voluntary sacrifice of Ion, king of Argos, in response to the Delphic oracle, which had declared that only with the extinction of the reigning family could the prevailing pestilence incurred by the deeds of that family be removed.
Two years later, at the Haymarket theatre, The Athenian Captive was acted with moderate success. In 1839 Glencoe, or the Fate of the Macdonalds, was privately printed, and in 1840 it was produced at the Haymarket; but this home drama is inferior to his two classic plays. The Castilian (1853) did not excite a tenth part of the interest called forth by Ion. Before this he had produced various other prose writings, among them his "History of Greek Literature," in the Encyclopaedia Metropolitana. Talfourd died in court during the performance of his judicial duties, at Stafford, on the 13th of March 1854.